Showing posts with label Touring the Backlist. Show all posts
Showing posts with label Touring the Backlist. Show all posts

Monday, November 18, 2013

Touring the Backlist: SPARROW


Stop #2 on the backlist tour is Sparrow.  This is where I hit my sophomore slump.  Lucy the Giant had been well received and I was worried my second novel wouldn't be good enough.  I had two projects in mind-- one was an historical fantasy, the other was a contemporary called Sparrow.   The thing about Sparrow is, the heroine's grandmother dies.  My own grandmother was alive, but not in the best of health.  A bit of magical thinking had me afraid to write the death of a grandmother, for fear that it would happen.  So I didn't do it.  The book sat there, and my editor wondered what I was up to, and I Did. Not. Write. 

I pushed the book aside and life happened.  A year went by.  My grandmother passed away in her own time, and my family mourned.  Still, I avoided writing, until my publisher called me and asked if I had another book like Lucy.  The trouble was, they wanted exactly the same book.  Something about a girl with self-image issues (but not weight issues!) who goes somewhere and does something etcetera, etcetera.  All I could say was, "I already wrote that book."  But they were confident I would think of something.

I didn't.

Then my boyfriend said, "What about that Sparrow thing?"  I wrung my hands, and explained it wasn't up to snuff because of a million things.  He asked to read it.  When he was done he said, "This is it.  This is what they want."  Turns out he was right.  So I married him.  (Well, not right away, but that's another story.)

Writing death in YA is difficult.  There is so much romanticized (or ignored) death in kid lit.  It's either a matter of course-- Cinderella's an orphan, so is Snow White.  In fact, it's a requirement in fairy tales for one or both parents to die before anything interesting can happen.  But by the time you reach the teen years, there's a good chance someone close to you has died-- be it a grandparent, a teacher, a pet, a classmate.  As an author, you are faced with telling the truth about death, about how empty and helpless and angry and numb it can make you feel.  Because, face it, if you haven't experienced it anywhere but in a fairy tale when the real thing comes along, it's like a freight train.

So, when I lost my grandmother, I tapped into what that felt like.  In return, I got a letter from a reader who said it helped her feel less alone when her own grandmother died.  It made me glad I'd written the book.

Now, remember that other book I'd considered writing?  The historical fantasy?   That's what I'm working on now.   It's called Drosselmeyer.  I've struggled with this idea for years off and on.   The mother dies before the story starts, and I could not write it.  And then I lost my own mother, and I thought, "Maybe now I can write this book."

In Drosselmeyer, I'm trying to pay attention to the way I felt after losing my mother, the strange sense of denial that she's just in the next room because she always is, and the renewed shock of remembering that she is not.  Shortly after she passed away, I had a conversation with someone who had lost his mother a few years before.  He told me I would feel better over time, and then it would hit me all over again and suddenly, there I'd be, sitting in traffic, crying, even though it had been years since the funeral.  Grief is an emotion that is always fresh, it turns out.  But, over time, the crushing weight returns with less frequency, and for shorter durations.

Can you think of a book that depicts grief in this way?  The unwanted visitor that smothers you, then goes away for a little while, only to return again?  There's a place for that book.  But Drosselmeyer is not about grief.  It's an adventure.  It's about saving the world.  It's about first love.  It's about clocks and mice and the mysteries of the planet.  But it's also about how you face up to all those things when you are grieving, and how a young man saves himself from despair while saving the day.

If you are curious and want to learn more about Sparrow, you can read a synopsis on my website, or hunt down a copy of your very own.  If you want to learn more about Drosselmeyer, you'll have to wait.  I'm writing as fast as I can!



Monday, August 19, 2013

Touring the Backlist: LUCY THE GIANT

I've been feeling nostalgic this week, thinking about the other books I've written.  Mostly, I've been wondering how the heck I did it.  Yes, I'm still up to my elbows in a rewrite and while I'm not entirely in the weeds, it feels like a long hike back to the clubhouse (A weird golf metaphor, I think.  I don't play golf, but I watch TV shows where they do.).  No matter how many books I've written, I suspect I will always reach a point where I think it's impossible/horrible/terrible/no good.  And then I remind myself, "You've done this before," and I try to remember how so I can do it again.
 
So, this week, I'm taking a look back at my very first novel, LUCY THE GIANT.  This one was a doozy because I had never written a story longer than 30 or so pages before.  I remember having the idea and feeling driven to complete it.  Then I drove right off a cliff, down the wrong road a few times, and final found my way to a satisfying "The End."
 
The hardcover dust jacket
 
 
I learned to persevere when writing LUCY.  I learned that despair is just a bend in the road before reaching hope.  That it was okay to not really know what I was doing, as long as I knew what I meant and stayed sincere about it.  Which meant not quitting.  And loving the characters.  And seeing, I mean really seeing the world they lived in-- taste it, touch it, smell it, feel it in my bones.
 
The paperback
 
That's something I forgot to do early on in this current manuscript-- really feel the world.  I had an idea of it, knew what it looked like and just threw it on the page.  I was more interested in getting it down than I was in breathing life into it.  It's a common problem with my earlier drafts.  I am too busy telling the story, rushing from A to Z, to really stop and smell the roses.  So I'm smelling the roses now (and dashing around in the new scenes... I promise I'll smell those roses later).  I spent a long afternoon in the study carrels Central Library with a stack of books on history, costumes, toymaking and the clockmaker's guild.  When in doubt, I say, do some more research.  The little details you stumble across give your story depth and a sense of veracity that is difficult to just "make up."

Wandering those shelves, sitting at the long tables with other silent readers, I remembered there is a whole world happening around my little story.  It's a fantasy, but it's historical, which means Napoleon and war and the Congress of Vienna and all sorts of things are happening at the same time as my guys are trying to figure out how to open a nut.  Which immediately sounds like a writing prompt to me.  And it was.  I came home, and I wrote.  And I'm still writing.

And I learned that from LUCY THE GIANT. 

Sadly, Miss Lucy is out of print for the time being.  You can probably find her living in the warm dusty arms of a used bookstore somewhere.  It's a fun, sad, moving little book about a man-sized girl finding her way in the rough world of Alaskan crabbing.  There's a pretty good feast written into that story, and a version of a dress I used to own (or maybe just wished I did).  And there's crab.  I love crab.  And Alaska, which I also love.  LUCY is a thank you letter to the Last Frontier State because, while I always knew I wanted to be a writer, it was a trip to Alaska that made me one.